Public artwork inspired by the Balga (grass tree) will be a key feature of the first new multi-deck car park being delivered as part of the New Women and Babies Hospital Project.
Titled ‘Balga Kaditjin Koora Yeyi’, the artwork has been created collaboratively by artists Mark Datodi and Whadjuk Noongar Elder Dr Barbara Bynder (Karrda).
Together, they bring artistic and cultural expertise to the artwork that draws on the cultural, spiritual and medicinal significance of the Balga while honouring resilience, healing and a deep connection to Country.
Artwork elements inspired by the Balga
The Balga is an ancient plant that carries stories of resilience, continuity and survival for Noongar people across generations. ‘Balga Kaditjin Koora Yeyi’ will be integrated throughout the car park structure with three interconnected elements drawing on the Balga’s life cycle to tell a story of culture, belonging and continuity.
- Screen façade – Balga trunk: large, perforated panels with layered patterns inspired by the textured trunk and fronds of the Balga.
- Lift shaft – Balga flower: aluminium sculptural elements echo the Balga’s flowering spike. Traditionally a source of sweet nectar, this element represents nourishment, renewal and the nurturing qualities of Country.
- Level two pedestrian bridge – Balga grove: printed glass panels will create an immersive experience using abstract patterning, micro-photographic imagery and contemporary interpretations of Balga forms. Together, these elements tell a gentle story of healing and belonging.
Installation of the artwork will begin in early 2027, marking a significant cultural milestone for the New Women and Babies Hospital Project, the hospital precinct and the broader community.
Once complete, the new car park will provide 1,500 bays for staff parking and support future growth at the precinct as it becomes home to the new Women and Babies Hospital.
“The Balga is a guardian of Country, holding knowledge from long ago to today. Through this artwork we want to share that strength, resilience and cultural continuity with everyone who walks through the precinct. It is a story of survival, healing and the enduring relationship between Noongar people and Country.”
Mark Datodi and Dr Barbara Bynder.
